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I stumble and I tumble over my own words, constructing perfect descriptions and conversations in my head only to falter in the face of emotional expression. So I revel in the words of others. These are my emotions, my conflicts, my desires spoken by others, for me, for you. Hopefully you find joy, understanding, pleasure in them as I have. 'Words are, of course, the most powerful drug used by mankind.... Rudyard Kipling'
Nayyirah Waheed

Nayyirah Waheed

—joe pachinko

—joe pachinko


My father’s hand was always steady steel
the tips were calloused
the palms stone
and rooted in his veins
was the suffering of Christ,
the dirt of Guerrero
Every Sabado de Gloria
he would lay us across the mattress
and pull down the band of our underwear
para Christo,
for our sins

"Don’t bother just to be better than your contemporaries or predecessors. Try to be better than yourself. "

— William Faulkner

"I’d rather hear the Beatles’ “Getting Better” on a mix tape than on Sgt. Pepper any day. I’d rather hear a Frank Sinatra song between Run-DMC and Bananarama than between two other Frank Sinatra songs. When you stick a song on a tape, you set it free. "

— Rob Sheffield, love is a mixtape

"I never felt the urge to jump off a bridge, but there are times I have wanted to jump out of my life, out of my skin. "

— David Levithan

"There are plenty of good reasons for fighting, but no good reason ever to hate without reservation, to imagine that God Almighty Himself hates with you, too. "

— Kurt Vonnegut


I. Two poets fall in love, and that’s when it gets ugly.

II. We go to dinner. You order the wine, red and burning, and it goes down like blood. We start with Shakespeare, move to Plath. You use alliteration to tell me that I’m ripping out your lungs with my metaphors, and I counteract with a hyperbole, say you’ve clogged my arteries with your similes. Don’t touch me with your dictionary, I want to say. Touch me with your hands.

III. The appetizers arrive. Bread as soft and brown as the flesh of your neck. Move to Emerson. Ask about God. Was Jesus this soft and brown? My Bible never told me about the strength in your apricot arms, your chestnut knuckles, this most divine truth resting under your skin. Move to Whitman. I envy the grass that licks your neck when you tumble down hills and watch the clouds. Touch me with your hands.

IV. The main course is a fawn’s heart seasoned with autumns and breaking. I eat more than you do. Move to Rilke. Write letters. When I tell you about the words, you say that you will die for ink and paper: I want you to break my neck. Move to Allen. Kiss the sunlight. Ask to live. Touch me with your hands.

V. Dessert is your mouth at three a.m., pulled over to the side of an empty, dark highway. Tell me you love me and it goes down like blood. Kiss my hip and it feels like dying. Don’t touch me with your dictionary. Touch me with your hands.


— Two Poets Fall In Love, And That’s When It Gets Ugly | d.a.s (via backshelfpoet)

(via beneath-a-lonely-place)

"Light griefs are loquacious, but the great are dumb. "

— Seneca
Sonnet LXVI

I do not love you except because I love you;
I go from loving to not loving you,
From waiting to not waiting for you
My heart moves from cold to fire.

I love you only because it’s you the one I love;
I hate you deeply, and hating you
Bend to you, and the measure of my changing love for you
Is that I do not see you but love you blindly.

Maybe January light will consume
My heart with its cruel
Ray, stealing my key to true calm.

In this part of the story I am the one who
Dies, the only one, and I will die of love because I love you,
Because I love you, Love, in fire and blood.

— Pablo Neruda

"Tomorrow is the most important thing in life. Comes into us at midnight very clean. It’s perfect when it arrives and it puts itself in our hands. It hopes we’ve learned something from yesterday. "

— John Wayne
This Bed Is Too Small for Fucking and Poetry

I knew the bed would be too small
for all the things
I still want to dream about us
that we would toss
turn our way lose ourselves
in each other’s limbs
and rut there all over again

too small for the full-bodied voluptuousness
we carry
too small for the full-contact fuck
we create
too small for the full slick sweat we surrender
too small for the grunts and the screams
we extract from each other
too small for the way those grunts
struggle up from our stomachs
somersaulting themselves into ‘iloveyous’
and spasmodic cum shots

it is good we also have the floor
and the bathroom
and the tub
and the chair
and the desk
and the park
public spaces and the wide open savannas
of our imaginations 

these places will have to substitute
offer room for the volume
of our fucking and our poetry
for the way this animal love
lurches monstrous up my chest
wanting to make you happy
and warm and unafraid
and free 

so - get a bigger bed
one that can hold all the things
I still want to dream
but ready me a tiny corner on this one
so I can still get lost in you.

Roger Bonair-Agard

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